Dancing Saves My Life

I’m a musician, but before I started on my first instrument, I was a dancer.

Admittedly, I was (and sometimes still am) a clumsy one. I move across the floor slowly and imperfectly. My body aches more than it did when I was three or seven or thirteen or eighteen. I can’t touch my toes to the back of my head like I used to. I spend more of my time in a practice room or in front of a computer than I can afford to spend in a studio.

I’m a musician, but dancing saves my life.

Continue reading Dancing Saves My Life

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I’m Launching a Patreon!

Hello, friends!

I’ve been sitting on these plans for months now, and I’m so excited to finally share them with you. Over the past year, I’ve been floored by the willingness of friends, family, peers, colleagues, and near-strangers to support my art in all its different forms. That support, whether emotional, financial, or professional, has enabled me to reach new heights and produce work I couldn’t even have conceptualized not so long ago. In just two years, I’ve put out a significant amount of work about sexual assault and rape culture. My understanding and use of extended techniques has grown, but I still enjoy mixing them in with more “normal” sounds for a new blend of timbres. I’m braver and more authentic as a performer and artist. I’m so proud of how far I’ve come during my MFA, and even though I know this is just the beginning, it’s a little crazy to believe it’s even real.

As I leave academia (at least, the student side of things) and start bringing my artmaking practices fully into the professional sphere, I’m looking for ways to not only ensure I keep creating new work but get it into the hands and headphones of people who might not always be able to see it performed live. I’ll be rolling these out as they wink into existence, and the first platform I’m adding to my creative portfolio is my Patreon page.

Those of y’all who are familiar with Patreon can skip this paragraph, but if you’re new to the platform, Patreon is a way to centralize my artistic community—artmakers and audiences alike—and for Patrons (that’s you) to receive exclusive content, early access to new releases, and other goodies related to the work I do and the topics I address. The perks are akin to what you might find on Kickstarter or Indiegogo, but the structure is more like a Walkathon (except I only walk one lap a month instead of running twenty-five in an hour). Instead of putting a bunch of money toward one big, specific project, you throw me a couple bucks every month, which helps me by giving me time to create more stuff. To put it another way, every $15 in pledges buys me another hour I can spend on music instead of working a day job (and there will be many day jobs).

Okay, now that you know how things work, I’m sure you’re wondering: what the heck (or other epithet of your choice) will you give me in return that you don’t already? Well, dear reader, you get a few things. I’m committing to running a monthly newsletter for my Patrons, which will keep you up to date on all things music; access to Patron-exclusive Q&As I’m planning to hold once or twice a year; exclusive behind-the-scenes footage, photos, and recordings of rehearsals and works-in-progress (I’m super excited about doing this, btw); extra mini-blogs and transcriptions of the Misogyny Mondays I’ve been running over on Instagram for a few weeks now; early access to new scores and recordings, including newly-available commissions; a free copy of Take What You Want; and your name in a place of honor on my website (which… you know… you’re staring at right now). You can choose one of the three subscription tiers based on what perks you want and/or what commitment works best for you, but no matter which one you pick, if you sign up by 11pm on Sunday, May 26th, I’ll create and record a little improvisation and send it to you and you alone. (I am seriously happy to do as many of these as is necessary. I will sit in front of a camera all day so y’all can have good improvs.)

On the fence, for one reason or another? That’s okay! If you’re unsure (or, like a lot of folks, are in a financial “not right now” sort of place), watch this space. The blog posts will keep coming—I’ve got an ideas list a mile long—and from time to time, I’ll drop in a snippet of something I post on my Patreon, whether it’s a post or a little behind-the-scenes action. If you see things you like, consider joining us over there. The one thing I will say is that if you’re looking for a way to support my Letters work but aren’t in a position to commission a piece, perform a work, or come see a show, this is a really great opportunity not only to contribute to the project’s continuation but to influence the topics and nuances I explore within it.

I’m really looking forward to interacting with my Patrons in a collaborative way on top of my usual creative output. If you’re interested, you can check out this little video I made about it below:

I can’t wait to see you all on Patreon! Until then, take care. ♦

Making the Most of Good Days

As I’ve mentioned before, I have TMJ. I’ve spent longer than I’ve cared to admit trying to sleep and eat and talk and go about my day without pain or tightness, and despite my best efforts, a lot of days are tough days professionally. More often than not, playing a horn is a struggle between wanting to work toward being a better performer and wanting to keep the tension out of my body, keep myself safe, and avoid making things worse. Navigating life with my jaw is a dance between doctors and stretches and food choices and sleeping positions, and while some days are absolute crap and others are amazing, the vast majority of them are somewhere in the middle—not terrible, but not great, either.

Continue reading Making the Most of Good Days