As we move into the fall semester (or quarter, if you’re weird like that), I’m happy to announce I’m accepting commissions for Fall 2018 and Spring 2019. I’ve had a fantastic time working with individuals and groups this year, including the Spring View Middle School Jazz Band, Failsafe Duo, Willis Dotson, John Pisaro and Ian Stahl, and Oakwood Brass. That said, something I’ve come to realize is a lot of my friends, peers, and colleagues are interested in commissioning new works but don’t necessarily know how to approach the process. I can’t and won’t speak for all composers, but these are the most important things to know if you’re interested in working with me.
No time like the present for a call for scores announcement!
As many of you know, Phantom recently wrapped our second call for scores. This time around, we separated the process into two parts: our initial judging and a finalist round,
in which we look at works from ten to fifteen composers and make our selections. In no particular order, our finalist composers for the Winter Call for Scores are:
Hello again, friends and readers! (I know it’s been awhile. Life gets in the way sometimes. I’ll be back on the blog more in the coming months.)
As we round the corner into March, I’m well into my second semester at CalArts, and that means it’s recital time again! In addition to appearing on a slew of other concerts this semester, I’ll be presenting my own recital, YOUR MOUSE GOD iS DEAD, this Saturday, March 3, at 5PM PST in the Wild Beast. Because I’m in the Performer-Composer program, the show will be a mash-up of my own work and efforts from friends and colleagues around the world. The program is as follows:
Mornings start early in the Arizona desert. Though summer and fall are by far the most torturous, runners, cyclists, and the athletically-inclined start going out before dawn as early as March in order to avoid heat stroke. It’s part of the state’s culture—get up early, be outside, then retreat to the depths of air-conditioned buildings until it’s safe to set foot outdoors again.
Brianne Borden’s mornings start early no matter how warm it is (or isn’t).
Classical trumpet players rarely learn a Paganini concerto just for fun. Then again, most trumpeters in their mid-twenties have not already served as principal trumpet of a touring orchestra and placed first or second in not one but three National Trumpet Competition categories. Most trumpet players have not performed as a soloist with the symphony orchestras of two universities and accepted a position as a visiting trumpet professor while finishing their doctoral studies.
Alex Wilson is not most classical trumpet players, and his recording of Paganini’s second violin concerto proves it.
Man, what a semester it’s been! I premiered five new works (Don’t Tell; Liar, Liar; Tipping Point, Storm Warning, and Flatline); I gave my senior recital; I visited Michigan, Canada, and Los Angeles; I spent quality time with family and friends; and I made big decisions about my future. After all that, it’s been nice to get back into the routine over the last couple weeks. I thought I’d take a moment to outline where I’ll be playing, attending, and presenting work for the rest of the semester, for those of you who are interested:
The higher education application process stymies me. Sure, you can take a year or two off between high school and college or undergraduate studies and grad school, but for those of us that choose to power through it all, it’s a little crazy to be making super important life choices while juggling some of the craziest semesters of our education. I’m fresh off my senior recital, and now the time has come to make the next major decision of my professional and academic life: where I’m attending grad school.
After four fantastic (and incredibly challenging) years at ASU, I’m thrilled to be presenting some of my best work for various instrumentations on my senior recital! You’ll get to hear some trumpet music and some non-trumpet music as played by a swarm of my friends and collaborators from the Phoenix area. The program is as follows: