By the time I started dating in high school, I’d already been sexually assaulted. Those early relationships were a little extra fraught for me—I’d only had the terminology to accurately describe what had happened to me for about a year, and the idea of talking about it in any detail was downright terrifying. Still, I was a teenage girl who rocked out to Taylor Swift and desperately wanted to know love, and when presented with the opportunity, I dove into dating.
My first boyfriend, who lasted approximately three months and was away for summer vacation for almost all of that time, never found out about my assault. (We still follow each other on Instagram, though, so maybe he knows now.) My second boyfriend, whose tenure neared a year and spanned my final months of high school, did. He was the first person I’d told besides my mom, who found out when it happened.
Continue reading on assault and high school boyfriends
When I was an undergrad running with the jazz boys, no one wanted to sleep with me.
…Yeah, I didn’t know how to start this one, either. For all my work addressing sexual assault, I actually don’t spend all that much time dealing with sex. (I tend to leave that creative artistry to Rebecca Drapkin, the sex-positive to my sex-negative.) While I love my body and everything it can do, I’ve grown accustomed to keeping my sexual side to myself. I’m still figuring out how much of it belongs in my artistic life. And though that answer is nonzero, part of why I keep my sex life (and body, and sexuality, and . . .) separate from the rest of my artistic discourse is just because I don’t share all of me with all of you. But part of it isn’t, and there are reasons for that—reasons I can trace back to a very specific time and place—and though I’d rather not discuss any of this, I think it’s time.
Continue reading Untouchable: The Male Gaze, ASU Jazz, and the Phoenix Community