Emerging Composers and Age Limits (Newsflash: That’s Not A Thing)

There’s this idea among musicians and arts organizations that there’s a deadline for being an “emerging composer.” The age in question can vary, but because we commonly associate emerging composers with youth and being newly educated, the cap is rarely over forty. Sometimes it’s thirty or thirty-five. And while that’s great for folks like me, who found composition very early and have been able to capitalize on a college education in the subject, it’s not so ideal for . . . well, lots of other folks.

I recently came across a composition competition run by the National Women’s Music Festival. They were soliciting scores from “emerging women composers” (their words), but I was surprised and pleased to read that there was no age limit (lower or upper) for their call. To be fair, it is less surprising that this is coming from an organization dedicated to women, because of one crucial thing: childbirth.

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my mother was right (about concertgoing)

I don’t, as a rule, go to concerts alone. And here’s why.

Because I went to the gnarwhallaby show Tuesday night (a quick aside—what. a. show), fully intending to do a write-up on here afterward.

Because I was looking forward to the concert and to seeing a few friends for the first time since graduation.

Because I was with my boyfriend, and that didn’t seem to matter to the man (who was easily twenty years my senior) who refused to leave me alone during the first half.

Continue reading my mother was right (about concertgoing)