In the interim between the end of Phantom’s fall call for scores and the beginning of our winter round, I’ve received a few questions about running a call for scores as an ensemble, what exactly it entails, and how we did it. As I’ve been taking point in our hunt for new, fresh-off-the-press-if-we-can-get-it music, I decided to compile a few of the most important parts of the call for scores process into the following post to serve as a preliminary guide for anyone else with a new group who wants some new material.

Continue reading Ensemble Talk: Calling for Scores (and Dealing With It)