March Favorites are here!

Like every YouTuber ever, I’ve decided to start a monthly favorites segment. Ultimately, my goal is to highlight music, creatives, and moments I enjoy. If anything catches your attention, don’t keep quiet!

March has been an absolutely insane month. I had the privilege of playing on three recitals (including my own), joining ensembles on various other concerts, clearing a couple commissions off my plate, and preparing for premieres of new works. That said, this is what’s caught my eye and ear:

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Ensemble Talk: On Working with Composers (Successfully)

Beginning in undergrad (and sometimes earlier), composers are taught how to approach performers—what to say, what not to say, how to phrase critiques, ask questions, and ensure a successful performance. But because traditional performance institutions, particularly those following the conservatory model, value dead composers above all else (except for that one large ensemble concert a year that’s reserved for new works), it’s not uncommon to encounter performers who haven’t thought all that much about how working closely with a composer can require something beyond basic professionalism. Young performers, particularly those who play works by a composer friend, seem particularly susceptible to this, but everyone can stand to benefit from some organized consideration every once in awhile. So what do composers wish their performers knew?

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On International Women’s Day

As basically the entire Internet has noted, today is International Women’s Day. (Other fun facts: the International Trans Day of Visibility is March 31, Intersex Awareness Day is October 26, International Non-Binary People’s Day is July 14, and International Men’s Day is November 19. Celebrate things!) It’s a great time to reflect on powerful, accomplished women in our lives and in the world at large—my mother, my close friends, and the cast of Black Panther are all high on my list this year. But just as importantly, it’s an opportunity to support female-driven business, art, and movement, a moment to pause and commit to furthering the careers and livelihoods of female professionals we believe in.

That said, here’s my (admittedly too short, but ever-growing) list of musicians I’d love to see more from or work with over the next year:

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YOUR MOUSE GOD iS DEAD (and other new works): presenting the program

Hello again, friends and readers! (I know it’s been awhile. Life gets in the way sometimes. I’ll be back on the blog more in the coming months.)

As we round the corner into March, I’m well into my second semester at CalArts, and that means it’s recital time again! In addition to appearing on a slew of other concerts this semester, I’ll be presenting my own recital, YOUR MOUSE GOD iS DEAD, this Saturday, March 3, at 5PM PST in the Wild Beast. Because I’m in the Performer-Composer program, the show will be a mash-up of my own work and efforts from friends and colleagues around the world. The program is as follows:

Continue reading YOUR MOUSE GOD iS DEAD (and other new works): presenting the program

Congratulations: Phantom Brass Has Its Composers

Phantom Brass is pleased to announce the results of our inaugural call for scores. This fall, we received works from seventy-four composers representing eighteen states and fourteen countries. We would like to congratulate Bracha Bdil, Michael Boyd, Jim Fox, Jinhee Han, Philip Henderson, Hayley Marie King, Chris Lamb, Pierre Emmanuel Mariaca, Charles Meenaghan, and Jonathan Newmark on the skill and creativity of their composing. Phantom Brass will collaborate with these composers to bring their music to life throughout 2018.

Our next call for scores will open January 15; stay tuned! ♦

The Pursuit of Relaxation: Brianne Borden on Music, Yoga, and Balance

Mornings start early in the Arizona desert. Though summer and fall are by far the most torturous, runners, cyclists, and the athletically-inclined start going out before dawn as early as March in order to avoid heat stroke. It’s part of the state’s culture—get up early, be outside, then retreat to the depths of air-conditioned buildings until it’s safe to set foot outdoors again.

Brianne Borden’s mornings start early no matter how warm it is (or isn’t).

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Rock ‘n’ Roll Band: Dreams and Doorways Release ‘Hidden Reflections’

The members of Dreams and Doorways don’t make a big deal about their entrance.

Sure, a fog machine is at work and they’re accompanied by the fixed-media piece, aptly titled “Enter,” that opens their album, but they don’t need an elaborate light show or an announcer to herald their arrival. Their 150-odd audience members are already cheering.

That fact itself is perhaps one of the most refreshing aspects of Dreams and Doorways’ live show: the five men on stage are unassuming and earnest, there to officially release their debut LP, Hidden Reflections, and have fun doing it. Their stage, swimming in amplifiers and instruments (everybody does at least two things over the course of the show), is otherwise simple; a few model ships and airplanes accompany a sole hot air balloon, but visual distractions are minimal. This show is all about the band.

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We Now Return to our Regularly Scheduled Performances

Man, what a semester it’s been! I premiered five new works (Don’t TellLiar, LiarTipping PointStorm Warning, and Flatline); I gave my senior recital; I visited Michigan, Canada, and Los Angeles; I spent quality time with family and friends; and I made big decisions about my future. After all that, it’s been nice to get back into the routine over the last couple weeks. I thought I’d take a moment to outline where I’ll be playing, attending, and presenting work for the rest of the semester, for those of you who are interested:

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Graduate Programs: And the Winner Is….

The higher education application process stymies me. Sure, you can take a year or two off between high school and college or undergraduate studies and grad school, but for those of us that choose to power through it all, it’s a little crazy to be making super important life choices while juggling some of the craziest semesters of our education. I’m fresh off my senior recital, and now the time has come to make the next major decision of my professional and academic life: where I’m attending grad school.

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Multifaceted: It’s Time for the Recital

After four fantastic (and incredibly challenging) years at ASU, I’m thrilled to be presenting some of my best work for various instrumentations on my senior recital! You’ll get to hear some trumpet music and some non-trumpet music as played by a swarm of my friends and collaborators from the Phoenix area. The program is as follows:

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