Pride Isn’t A Reason To Exploit Queer Composers

Greetings, y’all, and welcome to another episode of This Wasn’t Supposed To Be The Post This Week!

Pride’s coming up next month, and partly as a result, I’m starting to see an influx of “oh, we’re looking for LGBTQ+ [insert item here]!” both in my inbox and on socials generally. Sometimes friends forward me opportunities, which is incredibly kind, but some of these so-called opportunities come with demands that fall beyond the boundaries of reason and are better deemed exploitative. Though it varies from one posting to the next, many of these “in search of…” ads that find their way to me are calls for scores, and as someone who’s been on both the submitting end and the judging end of these, wow, I have thoughts.

The composing community frequently has these conversations in earnest on multiple platforms, but many folks miss the discourse entirely or brush it off as the complaints of a small contingent. Today, you’re not getting that lucky. For just a moment, I’d like to tell you about a call for scores I came across today; see if you can spot the red flag(s) from the Instagram ad:

  • performer is requesting scores for a specific solo instrument and piano; performers are specified
  • specifically seeking scores from LGBTQ+ identifying composers (submission requirement)
  • music is for a new album
  • work cannot be previously recorded or performed
  • 5-20min
  • $500 prize for each work chosen, plus a copy of the studio recording
  • no entry fee, June 1 deadline
Continue reading “Pride Isn’t A Reason To Exploit Queer Composers”