Shows, Closed Books, and Genre-Bending

Hello, friends, and welcome to another episode of Posts That Will Drive Me Insane While Writing. I am one sentence in, and I can already tell you this one’s going to be a headache of an intentionally-worded piece. Yay! At any rate, this has been on my mind since that Paying Your Dues post (which went up last week, but in my time was written about three weeks before this one). In my writing, blogs frequently spawn from other blogs, and this is no exception—tonight’s installment of Music Is Hard comes from one of the thousand or so questions I posed in that entirely-too-long edition. The question in question? (Yes, I’ve had caffeine.) This one:

“Which organizations are profiting off the free labor of student musicians and then closing their calendars to those same artists looking for a place to launch their own projects?”

And, as I’ll get into later on, why aren’t we getting onto these calendars, who controls who gets onto them, and how should we work within and around these institutions to ensure we’re getting the opportunities we want?

In the initial post, I followed the quoted question with a quip about late-stage capitalism, but that paragraph largely went under-explained out of sheer necessity (read: the weight of 3300 words). I could probably come back to most of them at some point in time, but this one in particular is lighting a fire under my butt currently, so we’re going to dive in.

Continue reading Shows, Closed Books, and Genre-Bending