Please note that there is some overlap between classical and jazz for Letters from the Aftermath and LETTING GO. In most instances, these works are not genre-specific and can be played by ensembles from either background. I have listed them on these pages based on the circumstances of their commissioning and their premieres, but to find the complete lists, visit each of the pages listed above or start from the Projects catchall.

2019

LETTING GO (begin again)—seven or more musicians and optional electronics.
Commissioned by the Nash Composers Coalition. Will premiere in December 2019.

2018

The Adventures of Wichita Joe and Danny Díaz—big band. Grade 2.5. 4’+
Commissioned by Jeremiah Jacks for the Spring View Middle School Jazz Band.
$35.00 PDF/$40.00 hard copy. Place an order

2017

He Probably Just Likes You*—nine to ten musicians and narrator. 5’30”
Commissioned by the Nash Composers Coalition.
$25.00 PDF/$30.00 hard copy. Place an order

Red Light Horizon—big band. 6’+
Commissioned by Julie Bounds, director of bands at Santa Teresa High School.
$35.00 PDF/$40.00 hard copy. Place an order

2016

Red Light Horizon—ten jazz musicians. 6’+
Commissioned by the Nash Composers Coalition.
$25.00 PDF/$30.00 hard copy. Place an order

Second Sight—jazz combo. 2’+
$15.00 PDF/$20.00 hard copy. Place an order (please specify your instrumentation)

2015 and earlier

Seven for Brendan—tenor sax and trumpet. 4’30″+
$15.00 PDF/$20.00 hard copy. Place an order
N.B.: Seven for Brendan can be adapted for trumpet/soprano and trumpet/alto as well, though it sits best on tenor. If you’d like one of these adaptations, please specify in your order.

An asterisk (*) denotes that piece is part of Letters from the Aftermath, a larger body of work I am constructing that discusses the realities and aftereffects of sexual assault and rape culture. For more information, click here.