Like every YouTuber ever, I’ve decided to start a monthly favorites segment. Ultimately, my goal is to highlight music, creatives, and moments I enjoy. If anything catches your attention, don’t keep quiet!
March has been an absolutely insane month. I had the privilege of playing on three recitals (including my own), joining ensembles on various other concerts, clearing a couple commissions off my plate, and preparing for premieres of new works. That said, this is what’s caught my eye and ear: Continue reading “March Favorites are here!”
Beginning in undergrad (and sometimes earlier), composers are taught how to approach performers—what to say, what not to say, how to phrase critiques, ask questions, and ensure a successful performance. But because traditional performance institutions, particularly those following the conservatory model, value dead composers above all else (except for that one large ensemble concert a year that’s reserved for new works), it’s not uncommon to encounter performers who haven’t thought all that much about how working closely with a composer can require something beyond basic professionalism. Young performers, particularly those who play works by a composer friend, seem particularly susceptible to this, but everyone can stand to benefit from some organized consideration every once in awhile. So what do composers wish their performers knew? Continue reading “Ensemble Talk: On Working with Composers (Successfully)”
As basically the entire Internet has noted, today is International Women’s Day. (Other fun facts: the International Trans Day of Visibility is March 31, Intersex Awareness Day is October 26, International Non-Binary People’s Day is July 14, and International Men’s Day is November 19. Celebrate things!) It’s a great time to reflect on powerful, accomplished women in our lives and in the world at large—my mother, my close friends, and the cast of Black Panther are all high on my list this year. But just as importantly, it’s an opportunity to support female-driven business, art, and movement, a moment to pause and commit to furthering the careers and livelihoods of female professionals we believe in.
That said, here’s my (admittedly too short, but ever-growing) list of musicians I’d love to see more from or work with over the next year: Continue reading “On International Women’s Day”
Four years ago, I was a very different person.
If you’d seen me at my college orientation, you would have encountered a girl feeling the keen edge of homesickness, shielding herself with a smile and throwing herself into social life in an effort to find some friends—any friends—to fill the gap between her and those she’d left behind. You would have met a girl who had a lot to say to the right people but who found that there weren’t many of those individuals cloistered within the walls of her fancy new dorm. So she remained quiet, because that was what she could do with who she had.
That girl didn’t last long; though she made the occasional reappearance, the woman she became found it far easier present the world with honesty and attitude in the hope of inciting genuine responses. And to a degree, that’s worked pretty well. Continue reading “Who I Am and Who I’ve Been (I Won’t Apologize For Either)”
Man, what a semester it’s been! I premiered five new works (Don’t Tell; Liar, Liar; Tipping Point, Storm Warning, and Flatline); I gave my senior recital; I visited Michigan, Canada, and Los Angeles; I spent quality time with family and friends; and I made big decisions about my future. After all that, it’s been nice to get back into the routine over the last couple weeks. I thought I’d take a moment to outline where I’ll be playing, attending, and presenting work for the rest of the semester, for those of you who are interested:
Continue reading “We Now Return to our Regularly Scheduled Performances”
After four fantastic (and incredibly challenging) years at ASU, I’m thrilled to be presenting some of my best work for various instrumentations on my senior recital! You’ll get to hear some trumpet music and some non-trumpet music as played by a swarm of my friends and collaborators from the Phoenix area. The program is as follows:
Continue reading “Multifaceted: It’s Time for the Recital”
Happy Spring Break!
I’ve been taking this week to explore places I’ve never been before, prep for my senior recital, and generally just relax before the hailstorm of midterms and rehearsals I’ll be thrown into once we’re back in school. In all the craziness of last week, I forgot to mention that I’ve begun posting recordings of my first experiments with electronic music and sound art. Here’s a brief rundown on each one, along with links to other places where you can learn more about them:
Continue reading “Welcome to the (Electronic) Jungle”
Hi everyone! I hope your holiday season was restful and filled with friends and family and all that jazz. Mine involved lots of traveling, but now that we’re back to a (mostly) normal school schedule, I’ve returned to my normal music-making groove. February is a busy month for me – despite it being the shortest of the year, I and my peers have a lot going on! Here’s a sampling:
Continue reading “Don’t Tell: February Premieres and Shenanigans”
What a crazy four months it’s been! This semester, I’ve been lucky to score premieres, performances, and commissions. Here’s the roundup:
Continue reading “Fall 2016 In Review: Premieres and Performances”