The Madison Scouts and Gender-Inclusive Spaces

Today, we’re celebrating the Madison Scouts.

Some people will read this post and tell me “celebrating” is too strong a word, and that’s fine. It’s maybe not a fireworks-and-BBQ-level blowout; no, this—on the surface—is more of a golf-claps-and-maybe-a-party-hat thing. But for anyone who identifies as a gender other than Cis Man and who’s felt the sting of not being welcome to march with a corps due to that, this is . . . big.

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I Need a Nap (Because Sexism)

If you follow me or the drum corps world, you know what happened this week with Phantom Regiment. They released their show concept for the 2019 season, based (veeeeeery loosely) on Joan of Arc, using the tagline “burn it all down” and claiming to be focused on women’s empowerment. The show repertoire accompanying this announcement revealed that Phantom would be performing this “empowering” show to a soundtrack of music written exclusively by men. I and many others critiqued the decision and battled harassment and cyberbullying in the comments sections of posts for three days before Will Pitts, head drum major of the fan-favorite 2009 Spartacus show and current head honcho at Phantom, put out a statement addressing the whole ordeal. While it was appreciated, it said little more than expected: Phantom isn’t changing its show, they didn’t realize the optics would work out this way (emphasis mine), they considered works by women composers, blah blah blah.

Let’s be clear: I in no way expected Phantom to change repertoire. They are less than a month from the start of their season, and even if they wanted to add a piece by a woman, I doubt there are many female composers (whose work they would want, anyway) who would be willing to go near them with a ten-foot pole right now. Those arranging permissions would be expensive. This announcement, while maybe preventing them from further putting their feet in their mouths, is a full two days late and several dollars short. But as much as I hope Phantom and its creative team learns from this experience and significantly reconsiders how they program their shows, experiences like this that are so widely visible both remind me why I do what I do and reinforce that as much as my own experience and perspective understands perfectly well why we should center some voices over others in artistic works, most people are not engaging with art and music on that level yet. There is still work to be done.

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Hey, Phantom Regiment: BAD MOVE

(the following is a transcription of a Twitter thread I posted this morning. Further comments are in brackets [ ]. It is worth noting that for a show about Joan of Arc, “burn it all down” is an awful tagline.)

Yiiiiiikes. Someone tell Phantom Regiment that a show celebrating women should really feature music BY women. Yes, I understand the name recognition wouldn’t be on the same level. But if you only use men’s music, guess what: you care about men’s reactions more than women’s. [I say this in that their repertoire choices make it look like they’re more interested in crowd-pleasing than in telling an anywhere-near-accurate story; they care more about saying they did a show about a woman than they do actually getting it right.]

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My Love/Hate Relationship with DCI

DCI Championships are this weekend. It’s a fact most current and former band kids can’t escape—social media lights up with profile pictures from when everyone you’ve ever known marched in the Blue Devils, the handful of friends who are on staff or on tour with a corps are super excited, and everyone who wants to see the shows at their best without flying to Lucas Oil Stadium in Indianapolis flocks to the movies to watch the live stream of the quarterfinals.

This year, following a season or two of not keeping up with the activity, I joined them. I sat in the same place for five hours (plus bathroom breaks) and munched on entirely-too-unhealthy popcorn and rooted for Vanguard (and Crown, and The Academy, and . . .  you get my point). And since I hadn’t been to a show in a couple years, it was a lot of fun. I’ll always have massive respect for my friends who march and tech for these groups, but I’ve also realized that as much as I like DCI, I’ll never again adore it as much as I used to.

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