Here We Go Again: Phantom’s Winter 2018 Call for Scores

Phantom Brass is pleased to announce its winter 2018 call for scores. Formed by John Pisaro, Darren Dvoracek, Megan DeJarnett, and Evan Wendell, Phantom is a brass quartet dedicated to the understanding and expansion of brass chamber music repertoire. We hope to cultivate a diverse collection of works by living composers.

Submissions should be composed within the last five years and written for two trumpets, trombone, and tuba (modified brass quartet) or any subset of these instruments. Trumpets available are B-flat, C, and flugelhorn; trombones available are tenor and alto. Works of multiple movements are welcome, but no work should exceed ten minutes. There is no minimum duration. Limit one submission per composer. Prior winners may not resubmit for one year (fall 2017 winners may submit in fall 2018, etc). We welcome works from all composers regardless of age, gender identity, sexual orientation, or nationality.

To submit, please email a PDF of your score and an audio rendering (MIDI mock-up is fine) to phantombrass4@gmail.com no later than March 15, 2018 at 11:59PM Pacific Daylight Time. The subject line should include Winter Call for Scores and your name. In your email, please include your contact information, a brief bio, your website, and a performance history of the piece. Ten to fifteen composers will move on to the final round of adjudication; these finalists will be notified by April 15. We will contact winners no later than May 1. Composers will receive a performance of their work and a recording of the live performance. Additional performances may occur but cannot be guaranteed at this time.

We look forward to hearing your submissions!

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Ensemble Talk: Calling for Scores (and Dealing With It)

In the interim between the end of Phantom’s fall call for scores and the beginning of our winter round, I’ve received a few questions about running a call for scores as an ensemble, what exactly it entails, and how we did it. As I’ve been taking point in our hunt for new, fresh-off-the-press-if-we-can-get-it music, I decided to compile a few of the most important parts of the call for scores process into the following post to serve as a preliminary guide for anyone else with a new group who wants some new material. (more…)

Congratulations: Phantom Brass Has Its Composers

Phantom Brass is pleased to announce the results of our inaugural call for scores. This fall, we received works from seventy-four composers representing eighteen states and fourteen countries. We would like to congratulate Bracha Bdil, Michael Boyd, Jim Fox, Jinhee Han, Philip Henderson, Hayley Marie King, Chris Lamb, Pierre Emmanuel Mariaca, Charles Meenaghan, and Jonathan Newmark on the skill and creativity of their composing. Phantom Brass will collaborate with these composers to bring their music to life throughout 2018.

Our next call for scores will open January 15; stay tuned!

A New Endeavor and a Call for Scores

We’ve wrapped up our first month of classes here at CalArts, and though it’s been a tumultuous month of making friends and getting somewhat turned around and grading counterpoint homework, I’m finally somewhat settled in. Since school started, I’ve found a handful of people I’d take over the world with, and I’m excited to announce a few of us have formed Phantom Brass, a quartet dedicated to the pursuit and performance of new music.

As part of that mission, we’re excited to announce our inaugural call for scores. (more…)

An Open Letter to Mayim Bialik

Dear Ms. Bialik,

Most of the time, I am a fan of your work. The Big Bang Theory is one of my parents’ favorite shows (and given their degrees are in electrical engineering and computer science, it’s not a huge stretch to see why), and I follow your online presence with some regularity, particularly enjoying your insights on Jewish culture, heritage, and tradition. You are generally an eloquent, ardent supporter of women’s rights, and that’s great.

I began reading your opinion piece in The New York Times with high hopes, (more…)

Who I Am and Who I’ve Been (I Won’t Apologize For Either)

Four years ago, I was a very different person.

If you’d seen me at my college orientation, you would have encountered a girl feeling the keen edge of homesickness, shielding herself with a smile and throwing herself into social life in an effort to find some friends – any friends – to fill the gap between her and those she’d left behind. You would have met a girl who had a lot to say to the right people but who found that there weren’t many of those individuals cloistered within the walls of her fancy new dorm. So she remained quiet, because that was what she could do with who she had.

That girl didn’t last long; though she made the occasional reappearance, the woman she became found it far easier present the world with honesty and attitude in the hope of inciting genuine responses. And to a degree, that’s worked pretty well. (more…)